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home·artworks·Self Portrait with Palette
Self Portrait with Palette by Marie Bashkirtseff

plate no. 6538

Self Portrait with Palette

Marie Bashkirtseff, 1880

oilRealismself-portraitportraitfigurepaletteclothingself-portraitartist
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating depth through subtle value changes. It also provides practice in rendering fabric and textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, palette, and background.

  2. step 02

    Establish the overall value structure by blocking in the dark areas with thin washes of dark paint.

  3. step 03

    Begin building up the mid-tones and highlights, focusing on the face and hands.

  4. step 04

    Refine the details of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add the details of the clothing, including the ruffles and folds.

  6. step 06

    Develop the background, creating depth and atmosphere with subtle value changes.

  7. step 07

    Paint the palette with visible brushstrokes, suggesting the colors and textures of the paints.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · raw umber · burnt umber

secondary · yellow ochre · cadmium red light

Achieve skin tones by mixing white, raw umber, and a touch of red or yellow ochre. Darken colors with ivory black or burnt umber. Use white to create highlights and lighter values.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·alla prima
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Failing to capture the likeness of the subject.
  • →Creating harsh lines and edges.
  • →Not paying attention to the subtle value changes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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