apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-portrait in gray light
Self-portrait in gray light by Émile Friant

plate no. 4164

Self-portrait in gray light

Émile Friant, 1887

oilRealismself-portraitself-portraitfigureartistwindowinteriorpainting
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing subtle light and shadow, and creating a sense of depth through atmospheric perspective. It also offers practice in rendering textures and details with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on proportions and placement of the figure and background elements.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color, paying attention to the light source.

  3. step 03

    Block in the main color areas of the face, clothing, and background, using a limited palette.

  4. step 04

    Develop the facial features, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Refine the clothing and background details, adding texture and interest with visible brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension, paying attention to the direction of light.

  7. step 07

    Paint the window and the figure in the background.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and realistic image.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium red light · ultramarine blue

Mix various shades of gray and brown by combining white, umber, sienna, and black. Use small amounts of red and blue to create subtle color variations in the skin tones and background.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Failing to accurately capture the proportions of the face and body.
  • →Using too much color and creating a painting that looks unnatural.
  • →Ignoring the subtle value changes that create form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy