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Self-portrait by Vittorio Matteo Corcos

plate no. 7696

Self-portrait

Vittorio Matteo Corcos, 1913

oilRealismself-portraitportraitmanself-portraitartistclothingindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating subtle variations in value to model form. It also provides practice in depicting clothing folds and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background elements.

  2. step 02

    Establish the main light and shadow areas with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin layering in skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Mix and apply colors for the clothing, paying attention to the way light interacts with the fabric.

  5. step 05

    Develop the background with subtle variations in color and value.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Add highlights and details to the hair and clothing.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · yellow ochre · burnt umber · raw sienna

secondary · ultramarine blue · cadmium red light · ivory black

Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of red. Use blue and black sparingly to create shadows and cool tones.

techniques

  • ·portraiture
  • ·color mixing
  • ·value study
  • ·blending
  • ·layering

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring the subtle variations in value that create form.
  • →Getting lost in details before establishing the overall composition.
  • →Using too much black, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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