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Self-Portrait by Thomas Smith

plate no. 0809

Self-Portrait

Thomas Smith, 1680

oilBaroqueportraitportraitfigureskullshipsfortlace
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice with depicting complex textures like lace and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, skull, and background elements.

  2. step 02

    Establish the overall value structure with thin washes of burnt umber, paying attention to the light source.

  3. step 03

    Block in the main colors of the background, including the ships and fort, using muted tones.

  4. step 04

    Focus on the face, building up layers of color to create realistic skin tones and subtle shadows.

  5. step 05

    Carefully render the details of the lace collar, using fine brushes and light, delicate strokes.

  6. step 06

    Add details to the skull, paying attention to the bone structure and subtle variations in color.

  7. step 07

    Refine the details of the hair, using small brushstrokes to create texture and volume.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth of the painting.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt umber. Muted grays for the background can be created by mixing complementary colors like ultramarine blue and burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering
  • ·trompe-l'oeil

common pitfalls

  • →Incorrect proportions of the face and skull.
  • →Overly saturated or unrealistic skin tones.
  • →Difficulty capturing the delicate details of the lace.
  • →Lack of depth and dimension in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for detailed rendering.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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