
plate no. 5034
Sassoferrato, 1650
Recreating this portrait will help students develop skills in color mixing for skin tones and understanding subtle value changes to create form. It will also improve their ability to capture likeness and proportion.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and collar.
Establish the background color with a thin, even layer of blue.
Block in the main areas of color for the skin, hair, clothing, and collar.
Begin layering and blending the skin tones, paying attention to highlights and shadows.
Refine the details of the face, including the eyes, nose, mouth, and facial hair.
Add details to the collar and clothing, capturing the folds and textures.
Adjust the values and colors throughout the painting to create a sense of depth and realism.
Add final highlights and details to complete the portrait.
color palette
primary · titanium white · yellow ochre · burnt umber · ultramarine blue
secondary · ivory black · cadmium red light
Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of red. The blue background is a mix of ultramarine blue and white. Dark clothing is a mix of black and burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne