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home·artworks·Self Portrait
Self Portrait by Samuel Dirksz van Hoogstraten

plate no. 3084

Self Portrait

Samuel Dirksz van Hoogstraten, 1645

oilBaroqueself-portraitportraitfigureclothingjewelryfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle value changes. It also provides practice in painting detailed objects like jewelry and clothing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main areas of color, starting with the background and then the larger shapes of the figure.

  3. step 03

    Establish the basic values of the face, paying close attention to the light and shadow patterns.

  4. step 04

    Refine the facial features, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Add details to the clothing and jewelry, using smaller brushes and finer strokes.

  6. step 06

    Blend and refine the edges of the forms to create a smooth, realistic effect.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of brown and black for the background. Skin tones are achieved by mixing white, red, yellow ochre, and a touch of burnt umber. Use glazes of red and brown to create depth in the clothing.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·value studies

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle value changes that create form.
  • →Ignoring the importance of edges in creating a realistic effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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