apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-Portrait
Self-Portrait by Kitty Lange Kielland

plate no. 0278

Self-Portrait

Kitty Lange Kielland

oil, canvasRealismself-portraitportraitfigurehatclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle value shifts to create form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hat, and shoulders.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color: skin, hat, clothing, and background.

  4. step 04

    Begin refining the skin tones, paying close attention to the subtle variations in color and value.

  5. step 05

    Develop the details of the hat and clothing, using thicker paint and more visible brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the facial features, focusing on capturing the likeness of the subject.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · burnt umber · raw sienna · ivory black

secondary · cadmium red light · yellow ochre

Mix skin tones using titanium white, burnt umber, raw sienna, and a touch of cadmium red light. Use ivory black to darken values and create shadows. Yellow ochre can be used to add warmth to the skin tones.

techniques

  • ·underpainting
  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the freshness of the paint.
  • →Failing to capture the subtle value shifts that create form.
  • →Ignoring the importance of the background in creating a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (titanium white, burnt umber, raw sienna, ivory black, cadmium red light, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy