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Self Portrait by Julius LeBlanc Stewart

plate no. 4449

Self Portrait

Julius LeBlanc Stewart, 1886

oil, panelRealismself-portraitportraitmanbeardclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and subtle color variations in skin tones. It also provides practice in rendering textures like hair and fabric with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the background color with a thin wash of dark gray/brown.

  3. step 03

    Block in the main areas of color: skin tones, hair, beard, clothing.

  4. step 04

    Refine the facial features, paying attention to the subtle shifts in value and color.

  5. step 05

    Add details to the hair and beard, using short, broken brushstrokes.

  6. step 06

    Define the clothing and collar, focusing on the interplay of light and shadow.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to the face and clothing.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red light · yellow ochre

Skin tones are achieved by mixing white, sienna, umber, and a touch of red. The dark clothing is primarily black and umber, lightened with white for highlights. The background is a muted mix of black, umber, and white.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·value study

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Ignoring the subtle shifts in value and color.
  • →Overworking the details.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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