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Self-portrait by Jan Miense Molenaer

plate no. 9053

Self-portrait

Jan Miense Molenaer, 1640

oil, canvasBaroqueself-portraitportraitskullbooksdraperyfigurehat
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding the use of chiaroscuro to create depth and drama.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure, skull, and other elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin developing the skin tones, paying close attention to the subtle variations in color and value.

  4. step 04

    Work on the drapery, focusing on the folds and highlights to create a sense of volume.

  5. step 05

    Render the skull with careful attention to its anatomical details and the play of light and shadow.

  6. step 06

    Add details to the books, papers, and other objects on the table.

  7. step 07

    Refine the background, ensuring it complements the foreground elements.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · ultramarine blue · cadmium red

Mix various shades of brown and ochre for the skin tones and background. Use ultramarine blue and burnt umber to create the darker tones in the drapery. Add small amounts of cadmium red to warm up the skin tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·drapery rendering
  • ·still life

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the subtle variations in skin tone.
  • →Overworking the details and losing the overall sense of harmony.
  • →Not paying enough attention to the lighting and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, ivory black, titanium white, ultramarine blue, cadmium red)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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