apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-Portrait
Self-Portrait by Ivan Mrkviсka

plate no. 1022

Self-Portrait

Ivan Mrkviсka, 1900

oilRealismself-portraitportraitmanbeardfigureclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle tonal variations to create form and depth. It also provides practice in rendering realistic textures, especially in the beard and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the head and shoulders, paying attention to the placement of features.

  2. step 02

    Block in the background with a dark, neutral color, establishing the overall value range.

  3. step 03

    Establish the main light and shadow patterns on the face and beard using a limited palette of earth tones.

  4. step 04

    Refine the facial features, paying close attention to the subtle variations in skin tone.

  5. step 05

    Add details to the beard and hair, using small brushstrokes to create texture.

  6. step 06

    Paint the clothing, keeping it simple and dark to avoid distracting from the face.

  7. step 07

    Add highlights to the face and beard to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the focus remains on the face.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium yellow · alizarin crimson

Mix various shades of brown and gray by combining black, umber, sienna, and white. Add small amounts of yellow and crimson to create warmer skin tones. Use white to create highlights and lighten the overall value of the colors.

techniques

  • ·tonal painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a high-quality canvas primed with gesso. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy