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home·artworks·Self-Portrait
Self-Portrait by Helene Schjerfbeck

plate no. 0289

Self-Portrait

Helene Schjerfbeck, 1885

oilRealismself-portraitportraitfigurefacehairclothingself-portrait
some experience helpful

Recreating this painting will help students practice portrait proportions, skin tone mixing, and capturing subtle light and shadow with visible brushstrokes. It also offers a good exercise in creating a sense of depth and form using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Block in the background with a thin layer of warm yellow-brown.

  3. step 03

    Establish the main shadow shapes on the face and clothing using darker mixtures of browns and grays.

  4. step 04

    Begin layering lighter skin tones, focusing on the forehead, cheeks, and nose.

  5. step 05

    Paint the hair using a combination of light and dark browns, paying attention to the direction of the strands.

  6. step 06

    Add details to the eyes, lips, and nose, using small brushstrokes.

  7. step 07

    Refine the shapes and values, blending edges where necessary.

  8. step 08

    Add final highlights to the face and hair to create a sense of light and dimension.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing yellow ochre, burnt umber, cadmium red light, and titanium white. Grays for the clothing are created by mixing burnt umber, ultramarine blue, and white. The background is primarily yellow ochre with touches of burnt umber.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Over-blending, which can flatten the image.
  • →Incorrect proportions of the facial features.
  • →Using too much white, which can make the skin look chalky.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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