
plate no. 0289
Helene Schjerfbeck, 1885
Recreating this painting will help students practice portrait proportions, skin tone mixing, and capturing subtle light and shadow with visible brushstrokes. It also offers a good exercise in creating a sense of depth and form using a limited color palette.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.
Block in the background with a thin layer of warm yellow-brown.
Establish the main shadow shapes on the face and clothing using darker mixtures of browns and grays.
Begin layering lighter skin tones, focusing on the forehead, cheeks, and nose.
Paint the hair using a combination of light and dark browns, paying attention to the direction of the strands.
Add details to the eyes, lips, and nose, using small brushstrokes.
Refine the shapes and values, blending edges where necessary.
Add final highlights to the face and hair to create a sense of light and dimension.
color palette
primary · yellow ochre · burnt umber · titanium white
secondary · cadmium red light · ultramarine blue
Skin tones are achieved by mixing yellow ochre, burnt umber, cadmium red light, and titanium white. Grays for the clothing are created by mixing burnt umber, ultramarine blue, and white. The background is primarily yellow ochre with touches of burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.
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