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Self portrait by Guercino

plate no. 7806

Self portrait

Guercino, 1635

oilBaroqueself-portraitportraitfiguremanclothingpalettebrushes
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle tonal variations in skin and fabric. It also provides practice in creating depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown.

  2. step 02

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and collar.

  3. step 03

    Block in the main areas of dark and light using thin washes of burnt umber and white.

  4. step 04

    Gradually build up the values in the face, paying close attention to the subtle transitions between light and shadow.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  6. step 06

    Paint the collar and clothing, using thicker paint and more visible brushstrokes.

  7. step 07

    Add the palette and brushes, paying attention to the colors and textures.

  8. step 08

    Refine the details and adjust the values as needed to create a sense of depth and realism.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · raw sienna · ivory black · cadmium red

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken these mixtures with burnt umber. Use ivory black sparingly to create deep shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·tonal painting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much black, which can make the painting look muddy.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

A smooth canvas is recommended for achieving the subtle blending in this painting. Consider using a medium to improve the flow of the paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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