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home·artworks·Self Portrait
Self Portrait by Giulio Cesare Procaccini

plate no. 4452

Self Portrait

Giulio Cesare Procaccini, 1600

oilBaroqueself-portraitportraitfiguremanclothinghairface
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of depth and atmosphere through layered brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of key features.

  2. step 02

    Block in the main areas of color, starting with the darkest values in the background and clothing.

  3. step 03

    Begin building up the form of the face with layers of thin, transparent glazes.

  4. step 04

    Pay close attention to the subtle shifts in value and color on the face to create a sense of depth.

  5. step 05

    Refine the details of the eyes, nose, and mouth, using small brushes and careful observation.

  6. step 06

    Add highlights to the hair and clothing to create contrast and visual interest.

  7. step 07

    Adjust the overall color balance and value range to match the original painting.

  8. step 08

    Add final details and refine edges to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, sienna, and a touch of red. Darken shadows with umber and black. Use yellow ochre and white for highlights in the hair.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overworking the paint and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle value changes in the face.
  • →Getting the proportions of the face wrong.
  • →Not creating enough contrast between the light and dark areas.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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