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Self-portrait by Giovanni Fattori

plate no. 1364

Self-portrait

Giovanni Fattori, 1854

oil, canvasRealismself-portraitportraitmanself-portraitartistclothingpalette
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in mixing realistic skin tones and depicting clothing folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and hands.

  2. step 02

    Establish the background with a thin wash of muted blue-gray.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and palette.

  4. step 04

    Refine the values and colors of the face, paying attention to highlights and shadows.

  5. step 05

    Add details to the hair, beard, and clothing, using small brushstrokes.

  6. step 06

    Define the features of the face, such as the eyes, nose, and mouth.

  7. step 07

    Paint the hand holding the palette and brushes, focusing on the gesture and form.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · ultramarine blue · yellow ochre

Skin tones are achieved by mixing burnt umber, raw sienna, titanium white, and small amounts of cadmium red light. Darker areas use more burnt umber and ivory black, while highlights use more titanium white and yellow ochre.

techniques

  • ·portrait sketching
  • ·value studies
  • ·color mixing
  • ·blending
  • ·scumbling

common pitfalls

  • →Incorrect proportions of the face
  • →Muddy or unrealistic skin tones
  • →Overworking details
  • →Ignoring the overall value structure

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#2 round brush
  • ·#4 flat brush
  • ·#6 filbert brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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