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home·artworks·Self-Portrait
Self-Portrait by Gian Lorenzo Bernini

plate no. 4969

Self-Portrait

Gian Lorenzo Bernini, 1635

oil, canvasBaroqueself-portraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the proportions and placement of the head, shoulders, and collar.

  2. step 02

    Block in the main areas of color: the background, the skin tones, the hair, the clothing, and the collar.

  3. step 03

    Begin to refine the skin tones, paying close attention to the subtle variations in value and color.

  4. step 04

    Work on the details of the face, including the eyes, nose, mouth, and facial hair.

  5. step 05

    Develop the dark areas of the clothing and hair, using layers of thin paint to create depth.

  6. step 06

    Add highlights to the collar and face to create contrast and bring the portrait to life.

  7. step 07

    Refine the background, blending the edges of the figure into the surrounding space.

  8. step 08

    Add final details and adjust values as needed to achieve a cohesive and realistic portrait.

color palette

primary · raw umber · burnt umber · titanium white

secondary · yellow ochre · ivory black

Achieve skin tones by mixing white, yellow ochre, and small amounts of burnt umber and raw umber. Use thin washes of umber and black to create shadows and depth in the clothing and hair.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones and creating a muddy or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in value and color.
  • →Creating harsh or unnatural shadows.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (raw umber, burnt umber, titanium white, yellow ochre, ivory black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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