
plate no. 7478
George Elgar Hicks, 1862
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through subtle value changes. It also provides practice in rendering textures like hair and fabric.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.
Establish the background color with a thin wash of green and brown tones.
Block in the main areas of color: skin, hair, shirt, and jacket.
Begin refining the skin tones, using subtle variations of pink, yellow, and brown.
Add details to the hair, using short, directional brushstrokes.
Define the features of the face, paying attention to the highlights and shadows.
Work on the clothing, adding details like the buttons and folds.
Refine the background, adding subtle variations in color and texture.
color palette
primary · titanium white · burnt umber · cadmium red · yellow ochre
secondary · viridian green · ultramarine blue
Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of cadmium red. The background is a mix of viridian green, burnt umber, and yellow ochre. The shirt is cadmium red with some burnt umber for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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