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Self-portrait by Frank W. Benson

plate no. 2081

Self-portrait

Frank W. Benson, 1898

oilRealismself-portraitportraitfiguremanclothingfaceself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with light and shadow. It also provides practice in creating subtle color variations and blending techniques.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the facial features, paying close attention to the angles and proportions of the eyes, nose, and mouth.

  4. step 04

    Mix and apply the local colors of the skin, hair, and clothing, gradually building up layers of paint.

  5. step 05

    Soften edges and blend transitions between light and shadow to create a sense of form.

  6. step 06

    Add highlights to the face and clothing to create a sense of depth and dimension.

  7. step 07

    Refine the details of the hair, mustache, and clothing.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium red light

Mix skin tones by combining yellow ochre, titanium white, and small amounts of burnt sienna and cadmium red light. Use ivory black and raw umber to create the dark tones of the clothing and background. Add white to create lighter shades.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the paint and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle color variations in the skin.
  • →Creating harsh transitions between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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