apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-Portrait
Self-Portrait by Francesco Solimena

plate no. 9166

Self-Portrait

Francesco Solimena, 1715

oilBaroqueself-portraitportraitfigureartistchairpaintingself-portrait
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex drapery. It will also improve their understanding of chiaroscuro and Baroque painting techniques.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and the chair.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the background, chair, and clothing.

  3. step 03

    Start building up the values, paying attention to the light and shadow patterns on the face, hands, and drapery.

  4. step 04

    Develop the details of the face, focusing on capturing the likeness of the artist.

  5. step 05

    Refine the drapery, adding folds and highlights to create a sense of volume and texture.

  6. step 06

    Work on the background details, including the painting and the architectural elements.

  7. step 07

    Add final highlights and details to the face, hands, and clothing.

  8. step 08

    Glaze with thin layers of color to unify the painting and add depth.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Use cadmium red to add warmth to the cheeks and lips. Create shadows by adding ivory black to the skin tone mixture.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to capture the likeness of the artist.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ivory black, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne