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home·artworks·Self Portrait
Self Portrait by Elin Danielson-Gambogi

plate no. 7674

Self Portrait

Elin Danielson-Gambogi, 1897

oil, canvasRealismself-portraitportraitfigurepalettewindowartist
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering realistic light and shadow. It also provides practice in creating a sense of depth and atmosphere through soft brushwork and limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure.

  2. step 02

    Establish the background with a thin wash of neutral tones, focusing on the light coming from the window.

  3. step 03

    Block in the large shapes of the figure, starting with the dark areas of the dress.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle shifts in skin tone.

  5. step 05

    Add highlights and shadows to create form and dimension in the face and hair.

  6. step 06

    Paint the hand and palette, focusing on the details of the brushes and colors.

  7. step 07

    Refine the edges and details throughout the painting, ensuring a cohesive and harmonious whole.

  8. step 08

    Add final glazes to enhance the depth and richness of the colors.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Mix skin tones using white, yellow ochre, raw umber, and a touch of red. Use ivory black and raw umber for the dress, adding small amounts of other colors to create subtle variations.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in skin tone.
  • →Creating harsh lines or edges.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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