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home·artworks·Self-Portrait
Self-Portrait by Edvard Munch

plate no. 3962

Self-Portrait

Edvard Munch, 1882

oil, boardRealismself-portraitportraitmanfigureclothingfaceself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form using light and shadow. It also offers practice in achieving subtle skin tones and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the main areas of light and shadow on the face and clothing.

  3. step 03

    Begin refining the skin tones by layering thin washes of color, paying close attention to the subtle variations in hue and value.

  4. step 04

    Develop the details of the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  5. step 05

    Add details to the hair and clothing, using visible brushstrokes to create texture and interest.

  6. step 06

    Refine the edges and transitions between light and shadow, softening some areas and sharpening others to create a sense of depth.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and assess the overall composition and make any necessary adjustments.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use raw umber and black for the background and shadows, adding white to create lighter tones.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to accurately capture the proportions and likeness of the subject.
  • →Ignoring the subtle variations in color and value, leading to a monotonous painting.
  • →Using too much detail too early in the process, making it difficult to make adjustments later on.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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