apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-Portrait
Self-Portrait by Carl Haag

plate no. 2034

Self-Portrait

Carl Haag, 1900

oil, canvasRealismself-portraitportraitmanbeardmedalsclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones. It also provides practice in painting textures, such as the beard and clothing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of features.

  2. step 02

    Block in the main areas of color, such as the background, skin tones, beard, and clothing.

  3. step 03

    Begin refining the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Add details to the beard, using small brushstrokes to create texture and volume.

  5. step 05

    Paint the clothing, focusing on the folds and shadows.

  6. step 06

    Carefully render the medals, paying attention to their intricate details and reflective surfaces.

  7. step 07

    Refine the background, adding subtle variations in color and value to create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium yellow · ultramarine blue · alizarin crimson

Skin tones are achieved by mixing white, raw umber, burnt sienna, and small amounts of red and blue. The background is a blend of raw umber and burnt sienna. The beard is primarily white with subtle shadows created using raw umber and ivory black.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·rendering
  • ·detail work

common pitfalls

  • →Incorrect proportions
  • →Muddy skin tones
  • →Lack of detail in the medals
  • →Overly harsh shadows
  • →Flat background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A variety of brush sizes will be helpful for different details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy