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home·artworks·Self Portrait
Self Portrait by Carel Fabritius

plate no. 6230

Self Portrait

Carel Fabritius, 1645

oilBaroqueself-portraitportraitfigurehatclothinghairself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes and soft blending.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hat, and clothing.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the skin tones, paying close attention to the subtle shifts in color and value.

  4. step 04

    Develop the details of the face, including the eyes, nose, and mouth, using small, precise brushstrokes.

  5. step 05

    Work on the clothing, focusing on the folds and drapery, and the way light interacts with the fabric.

  6. step 06

    Add the details of the hair, using a variety of brushstrokes to create texture and movement.

  7. step 07

    Refine the background, ensuring it complements the figure and doesn't distract from the focal point.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, raw umber, burnt sienna, and small amounts of red and yellow. Use thin washes of raw umber and black to create shadows and depth.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle shifts in value and color.
  • →Ignoring the importance of accurate proportions.
  • →Creating harsh lines and edges instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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