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Self-portrait by Alexei Korzukhin

plate no. 1378

Self-portrait

Alexei Korzukhin, 1850

oilRealismself-portraitportraitfigureboyclothingfaceself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating subtle value shifts to model form. It also provides practice in achieving a muted color palette and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background with a thin wash of dark green and brown, allowing some variation in tone.

  3. step 03

    Block in the main areas of the face with a mid-tone flesh color, paying attention to the light and shadow patterns.

  4. step 04

    Refine the facial features, gradually adding darker values for shadows and lighter values for highlights.

  5. step 05

    Paint the clothing with broad strokes of dark colors, suggesting the folds and texture of the fabric.

  6. step 06

    Add details to the hair, using small, broken brushstrokes to create texture and volume.

  7. step 07

    Soften edges and blend colors where necessary to create a sense of atmosphere and realism.

  8. step 08

    Add final highlights and details to the face and clothing to complete the portrait.

color palette

primary · titanium white · ivory black · burnt umber · yellow ochre

secondary · cadmium red light · viridian

Mix various shades of flesh tones using white, yellow ochre, cadmium red light, and a touch of burnt umber. Darken colors with ivory black and burnt umber. Use viridian to create the green background.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to capture the correct proportions of the face.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle value shifts that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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