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home·artworks·Self-Portrait at the Age of about Fifty
Self-Portrait at the Age of about Fifty by Joseph Wright

plate no. 2421

Self-Portrait at the Age of about Fifty

Joseph Wright, 1782

oil, canvasBaroqueportraitportraitfiguremanclothinghistoricalself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating subtle gradations of light and shadow to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's pose and proportions using charcoal or a light pencil.

  2. step 02

    Block in the main areas of color: background, skin tones, clothing.

  3. step 03

    Begin refining the skin tones, paying close attention to the subtle shifts in color and value.

  4. step 04

    Develop the details of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, creating the folds and shadows to give it form.

  6. step 06

    Add highlights to the face, hair, and clothing to create a sense of light and depth.

  7. step 07

    Refine the background, ensuring it complements the figure without distracting from it.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and realistic portrait.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · viridian green · yellow ochre

Skin tones are achieved through subtle mixes of white, red, umber, and a touch of yellow ochre. The green coat is a mix of viridian green, raw umber, and black.

techniques

  • ·portrait painting
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle shifts in value and color.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, ivory black, raw umber, cadmium red light, viridian green, yellow ochre)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use artist-grade oil paints for best results. A medium-tooth canvas will provide a good surface for blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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