
plate no. 3542
Gian Lorenzo Bernini, 1623
Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones through layering and blending. It also provides practice in rendering form with subtle value changes.
technical profile
approach — 8 steps
Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and collar.
Establish the background with a thin layer of dark brown or black.
Block in the main areas of light and shadow on the face using a limited palette of earth tones.
Begin layering and blending colors to refine the skin tones, paying attention to subtle variations in hue and value.
Paint the hair, using short, directional strokes to suggest texture and volume.
Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.
Paint the collar, using a combination of light and shadow to create a sense of depth.
Add final highlights and details to complete the painting.
color palette
primary · raw umber · burnt sienna · titanium white
secondary · ivory black · cadmium red light · yellow ochre
Achieve skin tones by mixing white with small amounts of burnt sienna, raw umber, and cadmium red. Use yellow ochre to warm up the skin tones and ivory black to create shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface to facilitate blending. Consider using a toned canvas to establish the background color.
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