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home·artworks·Self-Portrait as a Mature Man
Self-Portrait as a Mature Man by Gian Lorenzo Bernini

plate no. 2454

Self-Portrait as a Mature Man

Gian Lorenzo Bernini, 1635

oil, canvasBaroqueself-portraitportraitmanself-portraitfacehairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in limited palette painting and achieving a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure onto the canvas.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Develop the hair, using a combination of short, broken strokes and longer, flowing lines to create texture and volume.

  5. step 05

    Work on the clothing, simplifying the forms and focusing on the interplay of light and shadow.

  6. step 06

    Refine the background, ensuring it complements the figure and doesn't distract from the focal point.

  7. step 07

    Add subtle highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Make final adjustments to the overall composition and color harmony.

color palette

primary · burnt umber · raw umber · titanium white

secondary · yellow ochre · ivory black

Achieve skin tones by mixing burnt umber, raw umber, and titanium white, with small additions of yellow ochre for warmth. Use ivory black sparingly to deepen shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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