
plate no. 4943
Rembrandt van Rijn, 1659
Students will develop advanced portrait techniques including dramatic chiaroscuro lighting, flesh tone mixing, and expressive brushwork that captures psychological depth and character.
technical profile
approach — 8 steps
Begin with careful drawing of proportions and facial structure on toned canvas
Block in major shadow shapes with warm darks (burnt umber + raw umber)
Establish the darkest darks in the background and deepest shadows
Paint the mid-tones of the face with warm flesh mixtures
Add the lightest flesh tones on forehead, nose, and cheekbones
Develop the hat and clothing with various warm browns and ochres
Refine facial features with careful attention to eyes and expression
Add final highlights and subtle color variations in the flesh
color palette
primary · burnt umber · raw umber · yellow ochre · titanium white
secondary · cadmium red light · raw sienna · ivory black · naples yellow
Mix flesh tones with yellow ochre + white + touch of cadmium red, modify with raw umber for shadows and naples yellow for highlights
techniques
common pitfalls
surface · pre-toned canvas in warm neutral gray or raw umber
required
optional
Use quality brushes as this technique requires confident, expressive brushwork that cheaper brushes cannot achieve
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
related guides
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne