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home·artworks·Seated woman
Seated woman by Giacomo Favretto

plate no. 8187

Seated woman

Giacomo Favretto, 1887

oil, panelRealismgenre paintingwomanchairshawlbirdcageindoorpattern
some experience helpful

Recreating this painting will help students practice loose brushwork and color mixing to create the impression of detail rather than precise rendering. It also encourages observation of subtle color variations in seemingly simple areas.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figure, chair, and birdcage.

  2. step 02

    Block in the background with loose, textured brushstrokes, using a limited palette of whites, creams, and light browns.

  3. step 03

    Establish the main color areas of the figure: the dark hair, the red shawl, and the patterned clothing.

  4. step 04

    Begin adding details to the face and hands, paying attention to the subtle shifts in value and color.

  5. step 05

    Develop the patterns in the clothing with small, broken brushstrokes, using a variety of colors.

  6. step 06

    Add the chair and birdcage, focusing on their basic shapes and values.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · cadmium red · ultramarine blue · yellow ochre

secondary · burnt umber · alizarin crimson · viridian

Mix various shades of white with small amounts of other colors to create the subtle variations in the background and clothing. Use red and blue to create the dark tones in the hair and clothing.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·impasto
  • ·color layering

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Creating muddy colors by over-mixing on the palette.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the background and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a toned canvas (light ochre or grey) to help establish the value structure.

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oil painting for beginners →how to learn by studying the masters →
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