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home·artworks·Seated Angel
Seated Angel by Abbott Handerson Thayer

plate no. 4877

Seated Angel

Abbott Handerson Thayer, 1921

oilRealismportraitangelfigureportraitwingshalodress
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused light. It also offers practice in depicting fabric folds and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, wings, and halo.

  2. step 02

    Block in the background with a thin layer of blue paint.

  3. step 03

    Establish the main value ranges for the figure and wings, using a limited palette of earth tones and white.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the folds and drapery of the dress, using broken brushstrokes to create texture.

  6. step 06

    Add details to the wings, suggesting feathers with varied brushstrokes.

  7. step 07

    Paint the halo with a warm yellow, blending the edges softly.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of depth.

color palette

primary · titanium white · ultramarine blue · raw umber · yellow ochre

secondary · burnt sienna · cadmium yellow light

Achieve the skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use ultramarine blue and white for the background, adjusting the value with raw umber. Mix yellow ochre and cadmium yellow light for the halo.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the softness and subtlety of the original painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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