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home·artworks·Seaport with the Embarkation of St. Ursula
Seaport with the Embarkation of St. Ursula by Claude Lorrain

plate no. 1205

Seaport with the Embarkation of St. Ursula

Claude Lorrain, 1641

oil, canvasClassicismreligious paintingseaportarchitectureshipsfigureswatersky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details with light and shadow. It will also improve their ability to depict figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the architectural elements, ships, and horizon line.

  2. step 02

    Establish the sky and water with broad washes of color, paying attention to the subtle gradations of light.

  3. step 03

    Block in the major shapes of the buildings and ships, using a limited palette of earth tones and grays.

  4. step 04

    Begin to add details to the architecture, such as columns, windows, and ornamentation.

  5. step 05

    Paint the figures in the foreground, paying attention to their poses and gestures.

  6. step 06

    Add details to the ships, such as sails, rigging, and flags.

  7. step 07

    Refine the details of the water, adding highlights and reflections.

  8. step 08

    Add final touches, such as birds in the sky and small details on the figures.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green

Achieve the atmospheric perspective by mixing blues and whites with small amounts of yellow ochre and burnt umber for distant objects. Use glazes to create depth and luminosity.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering architectural details
  • ·figure painting

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong sense of atmospheric perspective
  • →Incorrect proportions of architectural elements
  • →Inaccurate color mixing for the sky and water

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for the best results. Allow each layer to dry before applying the next.

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