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home·artworks·Sculpture : Chafré, écrivain (calcaire peint en rouge)
Sculpture : Chafré, écrivain (calcaire peint en rouge) by Émile Prisse d'Avennes

plate no. 9257

Sculpture : Chafré, écrivain (calcaire peint en rouge)

Émile Prisse d'Avennes

oilRealismillustrationfigurestatueegyptianstoneportraitinscription
some experience helpful

This painting offers practice in rendering realistic skin tones and creating subtle gradations of light and shadow. Students will also learn to depict the texture of stone and the folds of fabric.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes of the figure, pedestal, and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Mix a range of skin tones using earth pigments and carefully apply them to the figure, paying attention to the subtle shifts in color and value.

  4. step 04

    Render the details of the face, including the eyes, nose, and mouth, using small, precise brushstrokes.

  5. step 05

    Paint the white skirt and necklace, using subtle shading to create a sense of form and depth.

  6. step 06

    Depict the stone pedestal and floor, using a combination of dry brushing and stippling to create a textured surface.

  7. step 07

    Add the inscription on the pedestal, using a fine brush and a dark color.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and realistic image.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna · payne's gray

Mix skin tones by blending raw umber, yellow ochre, and titanium white. Use burnt sienna for warmer areas and payne's gray for shadows.

techniques

  • ·value studies
  • ·glazing
  • ·dry brushing
  • ·rendering
  • ·color mixing

common pitfalls

  • →overmixing colors
  • →ignoring subtle value changes
  • →lack of patience
  • →getting lost in detail too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a smooth canvas for best results. Consider using a toned ground to simplify the process of establishing values.

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oil painting for beginners →how to learn by studying the masters →
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