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home·artworks·Scenery from a Village with Persons in Conversation
Scenery from a Village with Persons in Conversation by Hans Andersen Brendekilde

plate no. 9554

Scenery from a Village with Persons in Conversation

Hans Andersen Brendekilde, 1923

oilRealismlandscapebuildingsfigurespathfoliageflowerssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering textures of foliage and buildings. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, path, and figures.

  2. step 02

    Block in the sky with a light gray, establishing the overall tone.

  3. step 03

    Establish the main masses of the buildings, using simplified shapes and colors.

  4. step 04

    Begin adding details to the foliage, varying the greens and using broken brushstrokes to create texture.

  5. step 05

    Paint the path, paying attention to the subtle variations in color and value.

  6. step 06

    Add the figures, focusing on their basic shapes and proportions.

  7. step 07

    Refine the details of the buildings, adding windows, doors, and other architectural elements.

  8. step 08

    Add final details to the flowers and foreground vegetation.

color palette

primary · titanium white · yellow ochre · viridian green · burnt umber

secondary · cadmium red light · ultramarine blue · violet

Mix various greens by combining viridian green with yellow ochre and titanium white. Use burnt umber and titanium white to create the earthy tones for the path and buildings. Add small amounts of cadmium red light to the greens for warmth.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating overly saturated colors.
  • →Failing to establish a clear focal point.
  • →Not paying attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·burnt umber oil paint
  • ·round brushes sizes 2, 4, 6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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