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home·artworks·Savior nerukotvornyi (Saviour Not-Made-By-Hands) from the Zhovkva iconostasis
Savior nerukotvornyi (Saviour Not-Made-By-Hands) from the Zhovkva iconostasis by Ivan Rutkovych

plate no. 5910

Savior nerukotvornyi (Saviour Not-Made-By-Hands) from the Zhovkva iconostasis

Ivan Rutkovych, 1699

frescoBaroquereligious paintingreligious figureangelsgold frameiconornaments
experienced study

Recreating this painting will help students develop skills in rendering complex textures and patterns, as well as portraiture and figure painting with attention to detail.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a warm underpainting of burnt umber.

  2. step 02

    Sketch the basic composition, including the central figure, angels, and frame.

  3. step 03

    Block in the main colors for the figure, angels' robes, and wings.

  4. step 04

    Begin layering the gold tones in the frame, using variations in value to create depth and texture.

  5. step 05

    Develop the details of the face, focusing on accurate proportions and subtle shading.

  6. step 06

    Add details to the angels, including their hair, wings, and clothing folds.

  7. step 07

    Paint the intricate patterns on the background and frame, using fine brushes.

  8. step 08

    Apply a final glaze to unify the colors and add a sense of age.

color palette

primary · gold · red · green · skin tones

secondary · white · blue · brown

Achieve gold tones by mixing yellow ochre, burnt sienna, and a touch of black or raw umber. Skin tones can be mixed using red, yellow, white, and a touch of blue or green.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Not establishing a clear value structure before adding color.
  • →Failing to capture the subtle nuances of skin tones.
  • →Getting lost in the complexity of the frame's ornamentation.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-8)

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish
  • ·gold leaf

Use high-quality oil paints for best results. Consider using a medium to thin the paints for glazing.

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