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home·artworks·Sarah brings Hagar to Abraham
Sarah brings Hagar to Abraham by Matthias Stom

plate no. 2696

Sarah brings Hagar to Abraham

Matthias Stom

oilBaroquereligious paintingfiguresdraperyinteriorbedlampreligious
experienced study

Recreating this painting will help students develop skills in figure drawing, portraiture, and rendering realistic skin tones. It also provides practice in depicting dramatic lighting and creating a sense of depth through chiaroscuro.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the skin tones, using layers of thin glazes to create subtle variations in color and value.

  4. step 04

    Refine the details of the faces, paying close attention to the light and shadow.

  5. step 05

    Render the drapery, using soft brushstrokes to create a sense of movement and texture.

  6. step 06

    Add the details of the background, including the lamp and the bed.

  7. step 07

    Glaze the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Use small amounts of cadmium red for warmth. Create shadows by adding ultramarine blue and ivory black to the skin tone mixture.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the subtle variations in color and value.
  • →Failing to create a sense of depth through chiaroscuro.
  • →Not paying enough attention to the details of the faces.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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