apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Santa Teresa
Santa Teresa by Marcos Zapata

plate no. 0898

Santa Teresa

Marcos Zapata, 1750

oilBaroquereligious paintingfiguresangelscloudsreligiousskychildren
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in color mixing to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their relative positions on the canvas.

  2. step 02

    Block in the basic shapes and colors of the figures, using thin washes of paint.

  3. step 03

    Establish the light source and begin to build up the highlights and shadows on the figures.

  4. step 04

    Refine the details of the faces, hands, and clothing, paying attention to the folds and textures.

  5. step 05

    Paint the background sky and clouds, using soft, blended brushstrokes.

  6. step 06

    Add the smaller figures of angels and cherubs in the background.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red · blue · yellow ochre · burnt umber

secondary · white · green · gold

Mix skin tones using yellow ochre, red, and white, with touches of burnt umber for shadows. Create the sky by blending blue and white, and use glazes of red and brown to create the warm tones in the clouds.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting proportions of figures wrong.
  • →Overworking details too early.
  • →Not establishing a clear light source.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne