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home·artworks·Sand Quarries near Valmondois
Sand Quarries near Valmondois by Charles-Francois Daubigny

plate no. 6956

Sand Quarries near Valmondois

Charles-Francois Daubigny

oil, canvasRealismlandscapelaketreesskyfiguresboatlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in creating depth through layering and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the trees and water.

  2. step 02

    Block in the sky with light, blended colors, capturing the subtle variations in tone.

  3. step 03

    Establish the dark masses of the trees on the left, using a mix of browns and greens.

  4. step 04

    Paint the distant landscape with muted colors to create atmospheric perspective.

  5. step 05

    Begin layering the water, reflecting the colors of the sky and trees.

  6. step 06

    Add details to the figures and boat, keeping them small and indistinct.

  7. step 07

    Refine the reflections in the water, paying attention to the distortion and movement.

  8. step 08

    Add final highlights and details to the trees and foliage.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · raw sienna · cadmium yellow light · alizarin crimson

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the sky colors by blending white with small amounts of blue, yellow, and red.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·reflection techniques

common pitfalls

  • →Overworking the details, losing the overall impressionistic feel.
  • →Making the reflections too perfect and symmetrical.
  • →Using colors that are too bright or saturated.
  • →Neglecting the subtle value shifts that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, titanium white, raw sienna)
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·linseed oil
  • ·palette
  • ·palette knife
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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