
plate no. 0955
Juan Bautista Maíno, 1614
Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as rendering realistic reflections in water. It also provides practice in depicting the human figure in a natural setting.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main shapes: figure, sheep, trees, water, and distant hills.
Establish the sky with a base layer of light blue, blending in subtle variations of gray and white for clouds.
Block in the large masses of trees and foliage with dark greens and browns, paying attention to the overall shape and volume.
Paint the water with horizontal strokes, capturing the reflections of the trees and sky. Use darker values for the depths and lighter values for the surface.
Develop the figure of John the Baptist, focusing on accurate proportions and shading to create form.
Add details to the sheep, using short, broken strokes to simulate wool.
Refine the details of the trees, adding branches, leaves, and highlights to create texture and depth.
Add final touches, such as birds in the sky and subtle ripples in the water.
color palette
primary · ultramarine blue · burnt umber · titanium white · cadmium red
secondary · yellow ochre · sap green · ivory black
Mix greens by combining ultramarine blue, yellow ochre, and a touch of burnt umber. Achieve atmospheric perspective by adding white to the blues and greens for distant elements.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.
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