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home·artworks·San Joaquín y Santa Ana
San Joaquín y Santa Ana by Francisco Pacheco

plate no. 2063

San Joaquín y Santa Ana

Francisco Pacheco, 1600

oilBaroquereligious paintingfiguresarchitecturelandscapeskycloudsreligious
some experience helpful

Recreating this painting will help students develop skills in figure painting, drapery rendering, and creating atmospheric perspective. It also provides practice in using chiaroscuro to create dramatic lighting effects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main architectural elements.

  2. step 02

    Establish the dark background tones using a mix of browns and blacks.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones.

  4. step 04

    Begin to refine the figures' features and drapery folds, paying attention to the light and shadow.

  5. step 05

    Paint the background landscape, using lighter tones and softer edges to create depth.

  6. step 06

    Add the details of the architecture, such as the windows and balconies.

  7. step 07

    Create the light source from the sky, blending light and dark tones to create a sense of divine light.

  8. step 08

    Add final details and highlights to the figures and background.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix browns and blacks for the dark background. Use white and yellow ochre to create highlights on the figures and architecture. Mix red and brown for the drapery.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·atmospheric perspective
  • ·drapery rendering
  • ·figure drawing

common pitfalls

  • →Overworking the details too early.
  • →Failing to create a strong sense of light and shadow.
  • →Not blending the colors smoothly enough.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth of color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

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