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home·artworks·San Gregorio Magno
San Gregorio Magno by Francesco Ribalta

plate no. 6171

San Gregorio Magno

Francesco Ribalta, 1627

oilBaroquereligious paintingfigurereligious figuretabledoverobeinterior
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabrics with highlights and shadows, and creating a sense of depth through value and color variations. It also provides practice in depicting realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, table, and dove.

  2. step 02

    Establish the dark background and general light source.

  3. step 03

    Block in the main colors of the robe, table, and skin tones.

  4. step 04

    Begin layering and blending colors to create form and volume.

  5. step 05

    Add highlights and shadows to define the folds of the robe and the contours of the face.

  6. step 06

    Refine the details of the face, hands, and dove.

  7. step 07

    Add the details of the table and the objects on it.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · cadmium red · titanium white

secondary · yellow ochre · ivory black · ultramarine blue

Achieve the skin tones by mixing burnt umber, raw sienna, and white, with small amounts of red and yellow ochre for warmth. Mix the red table cloth with cadmium red, burnt umber and ivory black.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not paying attention to the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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