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home·artworks·San Gregorio Armeno, Naples
San Gregorio Armeno, Naples by Vincenzo Migliaro

plate no. 5843

San Gregorio Armeno, Naples

Vincenzo Migliaro, 1906

oilRealismgenre paintingstreet scenefiguresbuildingsmarketcityscapearchitecture
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and capturing the impression of a bustling street scene with loose brushwork. It also provides practice in rendering figures in a complex environment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the buildings and the placement of the figures.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color, paying attention to light and shadow.

  3. step 03

    Block in the main shapes and colors of the buildings, figures, and market stalls.

  4. step 04

    Develop the details of the architecture, using a variety of brushstrokes to create texture and interest.

  5. step 05

    Refine the figures, paying attention to their proportions and gestures.

  6. step 06

    Add details to the market stalls, including the flowers, statues, and other objects.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · raw umber · titanium white · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones of the buildings by mixing raw umber and white with small amounts of other colors. Create the colors of the figures' clothing by mixing various combinations of red, blue, and brown.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and value structure.
  • →Overworking the painting and losing the freshness of the brushwork.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the importance of accurate proportions and gestures in the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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