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home·artworks·San Giacomo de Rialto
San Giacomo de Rialto by Canaletto

plate no. 3911

San Giacomo de Rialto

Canaletto, 1726

oil, canvasBaroquecityscapearchitecturebuildingscityscapefiguresskyclock
experienced study

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering architectural details. It also provides practice in capturing the subtle variations in light and shadow across a complex scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and placement of the main architectural elements.

  2. step 02

    Block in the main shapes and colors of the buildings, sky, and ground, focusing on the overall value structure.

  3. step 03

    Develop the architectural details, such as windows, columns, and the clock face, paying attention to their proportions and placement.

  4. step 04

    Add the figures in the foreground and middle ground, suggesting their forms with simple shapes and colors.

  5. step 05

    Refine the details of the buildings and figures, adding highlights and shadows to create depth and dimension.

  6. step 06

    Create atmospheric perspective by softening the details and colors of the buildings in the distance.

  7. step 07

    Add final touches, such as highlights on the water and reflections in the windows.

  8. step 08

    Glaze with thin washes of color to unify the painting and create a sense of atmosphere.

color palette

primary · raw umber · yellow ochre · titanium white · Prussian blue

secondary · burnt sienna · ivory black

Mix various shades of brown and gray by combining raw umber, yellow ochre, and ivory black with titanium white. Use Prussian blue to create the sky and add cool tones to the shadows.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective
  • →Overworking details
  • →Inconsistent color palette
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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