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home·artworks·San Cristoforo, San Michele & Murano
San Cristoforo, San Michele & Murano by Canaletto

plate no. 2898

San Cristoforo, San Michele & Murano

Canaletto, 1723

oilBaroquecityscapecityscapewaterbuildingsskyfiguresboats
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle reflections in water. It also provides practice in rendering architectural details and figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the buildings and land masses.

  2. step 02

    Establish the sky with broad, blended strokes, creating a gradient from light to dark.

  3. step 03

    Block in the water using a mix of blues, greens, and grays, paying attention to the reflections.

  4. step 04

    Add the distant buildings, focusing on their overall shapes and values rather than intricate details.

  5. step 05

    Paint the figures in the foreground, using simple shapes and colors to suggest their forms.

  6. step 06

    Refine the details of the buildings and boats, adding highlights and shadows to create depth.

  7. step 07

    Add the reflections in the water, using broken brushstrokes to mimic the movement of the surface.

  8. step 08

    Make final adjustments to the values and colors to create a sense of atmosphere and depth.

color palette

primary · Prussian blue · Yellow ochre · Titanium white

secondary · Burnt umber · Cadmium red

Mix blues and yellows for the water and sky, adding white to lighten the values. Use burnt umber and yellow ochre to create the warm tones of the buildings. Add small amounts of red to create the figures' clothing.

techniques

  • ·Atmospheric perspective
  • ·Glazing
  • ·Broken color
  • ·Scumbling

common pitfalls

  • →Overworking the details in the distant buildings.
  • →Making the reflections too symmetrical.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·#4 round brush
  • ·#6 flat brush
  • ·Prussian blue oil paint
  • ·Yellow ochre oil paint
  • ·Titanium white oil paint
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Medium gloss

Use a smooth canvas for easier blending. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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