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home·artworks·San Cristoforo, San Michele and Murano, Seen from the Fondamenta Nuove
San Cristoforo, San Michele and Murano, Seen from the Fondamenta Nuove by Francesco Guardi

plate no. 2147

San Cristoforo, San Michele and Murano, Seen from the Fondamenta Nuove

Francesco Guardi, 1760

oil, canvasBaroquemarinaskywaterboatscityscapebuildingsclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle reflections in water. It also provides practice in painting distant architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the horizon line and the basic shapes of the islands and buildings.

  2. step 02

    Block in the sky with light blues and grays, blending the colors softly.

  3. step 03

    Establish the water surface with horizontal strokes, using darker blues and grays near the foreground.

  4. step 04

    Paint the distant cityscape, simplifying the architectural details and using muted colors.

  5. step 05

    Add the boats, paying attention to their reflections in the water.

  6. step 06

    Refine the clouds, adding highlights and shadows to create depth.

  7. step 07

    Add final details to the buildings and boats, using small brushes.

  8. step 08

    Glaze the water with thin layers of color to enhance the reflections.

color palette

primary · Prussian blue · Titanium white · Burnt umber

secondary · Yellow ochre · Raw sienna · Payne's gray

Mix blues and whites for the sky, adding a touch of umber for the darker areas. Use umber and sienna for the buildings, and mix blues and umber for the water.

techniques

  • ·Atmospheric perspective
  • ·Wet-on-wet blending
  • ·Scumbling
  • ·Glazing
  • ·Reflections

common pitfalls

  • →Overworking the details in the distant cityscape.
  • →Making the colors too saturated.
  • →Failing to capture the subtle gradations in the sky.
  • →Ignoring the reflections in the water.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian blue, Titanium white, Burnt umber, Yellow ochre, Raw sienna, Payne's gray)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Medium gloss
  • ·Easel
  • ·Color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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