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San Bruno by Francesco Ribalta

plate no. 6023

San Bruno

Francesco Ribalta, 1627

oilBaroquereligious paintingfigurereligious figurerobebookhaloglobe
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering fabric folds, and creating atmospheric perspective through value and color variations. It also provides practice in achieving a sense of depth and volume using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure proportions and composition, paying attention to the placement of the head, hands, and book.

  2. step 02

    Establish the background with a dark, warm undertone.

  3. step 03

    Block in the main areas of the robe with a mid-tone off-white, leaving room for highlights and shadows.

  4. step 04

    Begin layering in the shadows on the robe, using thin glazes of burnt umber and raw sienna.

  5. step 05

    Add highlights to the robe, gradually building up lighter tones with titanium white mixed with small amounts of yellow ochre.

  6. step 06

    Paint the face, focusing on accurate proportions and subtle value changes to create form.

  7. step 07

    Add details like the book, halo, star, and globe, paying attention to their textures and colors.

  8. step 08

    Refine the overall painting, adjusting values and adding final details to create a cohesive and atmospheric effect.

color palette

primary · titanium white · burnt umber · raw sienna

secondary · yellow ochre · cadmium red

Achieve the off-white of the robe by mixing titanium white with small amounts of yellow ochre and burnt umber. Create shadows by glazing burnt umber and raw sienna over the base color. Use cadmium red for the book.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·dry brushing
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Over-blending, resulting in a flat and lifeless appearance.
  • →Ignoring subtle value changes, leading to a lack of form and depth.
  • →Using too much white too early, making the robe look stark and unrealistic.
  • →Neglecting the background, which is crucial for creating atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer undertone.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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