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home·artworks·San Agustín De Hipona
San Agustín De Hipona by Francesco Ribalta

plate no. 7584

San Agustín De Hipona

Francesco Ribalta

oilBaroquereligious paintingfigurereligiousrobechairskybook
experienced study

Recreating this painting will help students understand how to render realistic skin tones and drapery, as well as how to create a sense of depth and atmosphere using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the chair and book.

  2. step 02

    Establish the main light source and block in the large areas of shadow and light.

  3. step 03

    Begin layering in the local colors of the figure's robe, chair, and background.

  4. step 04

    Refine the skin tones, paying attention to the subtle variations in color and value.

  5. step 05

    Add details to the figure's face, hands, and clothing, such as the folds in the fabric and the texture of the beard.

  6. step 06

    Create the atmospheric background with soft blending and subtle color shifts.

  7. step 07

    Add highlights and details to the chair and book.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Mix various shades of brown and black by combining burnt umber, ivory black, and small amounts of red or blue. Use yellow ochre and white to create highlights on the skin and clothing.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A toned canvas (e.g., with a thin wash of burnt umber) can be helpful.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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