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home·artworks·San Agabo En Hábito De Carmelita
San Agabo En Hábito De Carmelita by Juan Bautista Maíno

plate no. 2148

San Agabo En Hábito De Carmelita

Juan Bautista Maíno

oilBaroquereligious paintingfigurebuildingrobeskycloudsreligious
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding drapery and architectural forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the building.

  2. step 02

    Block in the main areas of color: sky, robe, skin, and building.

  3. step 03

    Start refining the skin tones, using layering and subtle color variations.

  4. step 04

    Develop the drapery of the robe, paying attention to the folds and highlights.

  5. step 05

    Add details to the building, focusing on perspective and architectural accuracy.

  6. step 06

    Refine the background clouds, blending them softly into the sky.

  7. step 07

    Add final highlights and shadows to enhance the overall form.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · titanium white · ivory black · raw umber · burnt sienna

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix various shades of gray and brown for the robe and building. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth. Achieve skin tones by mixing white, red, yellow, and a touch of brown.

techniques

  • ·portraiture
  • ·drapery
  • ·glazing
  • ·layering
  • ·architectural rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the robe look flat and lifeless.
  • →Failing to accurately represent the perspective of the building.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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