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home·artworks·Samuel Crompton
Samuel Crompton by Joseph Wright

plate no. 6473

Samuel Crompton

Joseph Wright, 1780

oil, canvasBaroqueportraitportraitfiguremanclothingwigpaper
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating subtle gradations of light and shadow to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the overall value structure by blocking in the dark background and mid-tones of the clothing and face.

  3. step 03

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Develop the highlights and shadows on the face to create a sense of depth and volume.

  5. step 05

    Paint the wig, using short, broken strokes to suggest the texture of the hair.

  6. step 06

    Render the clothing, focusing on the folds and creases in the fabric.

  7. step 07

    Add details to the hands and the paper, paying attention to the subtle variations in tone and texture.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · yellow ochre · raw sienna

Mix burnt umber and ivory black for the background. Use cadmium red mixed with burnt umber and white to create the red coat. Mix white with a touch of yellow ochre and burnt umber for the skin tones.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not paying enough attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a smooth canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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