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home·artworks·Salto de Itu
Salto de Itu by Jose Ferraz de Almeida Junior

plate no. 8777

Salto de Itu

Jose Ferraz de Almeida Junior, 1886

oilRealismlandscapewaterfallrockstreesfigureslandscapesky
some experience helpful

Recreating this painting will help students develop skills in depicting the movement of water and creating depth through atmospheric perspective. It also provides practice in rendering figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, rocks, and figures.

  2. step 02

    Establish the sky and distant landscape with light, muted colors.

  3. step 03

    Block in the large shapes of the rocks and trees, paying attention to their values.

  4. step 04

    Begin layering the water, using white and light blues to indicate movement and foam.

  5. step 05

    Add details to the rocks, including shadows and highlights.

  6. step 06

    Paint the figures, starting with the larger shapes and gradually adding details.

  7. step 07

    Refine the details of the waterfall, adding highlights and shadows to create a sense of depth.

  8. step 08

    Add final touches, such as small details in the foreground and adjustments to the overall color balance.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · sap green · cadmium yellow light

Mix white with small amounts of blue and umber for the sky and water. Use yellow ochre and raw umber for the rocks, adding sienna for warmth. Mix greens with blue and yellow for the foliage.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details in the water, resulting in a flat, lifeless appearance.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the rocks too uniform in color and texture.
  • →Ignoring the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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