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home·artworks·Salome with the Head of Saint John the Baptist
Salome with the Head of Saint John the Baptist by Onorio Marinari

plate no. 5724

Salome with the Head of Saint John the Baptist

Onorio Marinari, 1670

oil, canvasBaroquereligious paintingfiguresheadreligious scenedark backgrounddrapery
experienced study

Recreating this painting will help students develop skills in figure painting, particularly rendering skin tones and drapery, as well as understanding dramatic lighting and composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the head.

  2. step 02

    Establish the dark background with a thin layer of dark brown or black paint.

  3. step 03

    Block in the main areas of color for the figures' skin, clothing, and the head, using a limited palette.

  4. step 04

    Begin layering and blending the skin tones, paying attention to the highlights and shadows to create form.

  5. step 05

    Develop the drapery, focusing on the folds and highlights to give it a sense of volume and texture.

  6. step 06

    Add details to the faces, including the eyes, nose, and mouth, to capture the expressions.

  7. step 07

    Refine the lighting and shadows throughout the painting, enhancing the dramatic effect.

  8. step 08

    Add final details, such as the jewelry, the texture of the hair, and the blood.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix skin tones by blending white, red, yellow ochre, and a touch of raw umber. Achieve the blue of the dress by mixing ultramarine blue with white and a touch of alizarin crimson. Darken colors by adding ivory black or raw umber.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Overblending, resulting in a lack of texture and form.
  • →Incorrect proportions of the figures.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Inaccurate skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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