
plate no. 8034
Adam Elsheimer, 1605
Recreating this painting will help students develop skills in portraiture, architectural rendering, and creating atmospheric perspective. Students will also learn to mix subtle color variations and create depth through value changes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and the main architectural elements.
Establish the main value structure with a thin wash of burnt umber or a similar earth tone.
Block in the large areas of color, starting with the sky and background elements.
Develop the details of the architecture, paying attention to the brickwork and the play of light and shadow.
Begin working on the figure, focusing on the face and hands.
Refine the details of the clothing, creating folds and highlights to suggest form.
Add the final details, such as the book and quill, and adjust the overall color and value balance.
Glaze with thin layers to unify the painting and add depth.
color palette
primary · ivory black · raw umber · yellow ochre · titanium white
secondary · burnt sienna · ultramarine blue · cadmium yellow
Achieve the muted tones by mixing earth tones with white and small amounts of blue or yellow. Use glazes of burnt sienna to create warmth in the architecture.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the detailed brushwork.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne